Because this: http://www.youtube.com/watch?v=Jv5j_Lx2R4g
McCoy Tyner - Blues On The Corner (1967)
From the Jazz.com review:
Along with Coltrane bandmate Elvin Jones, Tyner and company soar over this extended blues. Joe Henderson pushes the band just as hard as Elvin does, and the results are nothing short of remarkable. This group recorded more and the magic doesn’t stop here, but this album is a must for anyone serious about McCoy Tyner and the extension of the Coltrane sound after 1965.
What a band. What a show.
“Supernatural Dream”
Early 1970’s poster - the model is named Azizi Johari *
(Source: ambientclouds)
(Source: deposito-de-tirinhas)
(Source: deposito-de-tirinhas)
Sonzeira!!!
bainer:
Freddie Hubbard - But Beautiful (1960)
From the Hardbop Homepage tribute to Tina Brooks:
“It was Ike Quebec who introduced him to Freddie Hubbard. “Ike Quebec introduced me to Tina at the 845 Club. Ike also introduced me to Alfred Lion. I loved Tina. He had a nice feeling. I got into him before I got into Hank (Mobley). He would write shit out on the spot and it would be beautiful. He wrote “Gypsy Blue” for me on the first record and I loved it. I just loved it. Tina made my first record date wonderful. He wrote and played beautifully. What a soulful, inspiring cat. I loved him.”
Freddie’s session took place on June 19, 1960. And Tina did play beautifully. He also wrote “Open Sesame” and “Gypsy Blue” and arranged “But Beautiful.” Exactly one week later, Tina made his second album True Blue and Freddie Hubbard was the trumpeter. Both albums were released that fall.
Tina Brooks was a shooting star in the jazz night sky who burned out way too soon. Catch him blowing one of the all-time great tenor sax solos on his composition “Street Singer,” which appears on Jackie McLean’s Jackie’s Bag.
April 30 and Loui.
Metade de mim
é um sexto
o sexto cantado
sentido no tato
da boca
o teto da alma
(...)
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